3/11/2023 0 Comments Aesthetic perception definitionShimamura (ed.), Psychocinematics: Exploring cognition at the movies, 53–75. Cognitivism, psychology and neuroscience: movies as attentional engines. Stjernfelt (eds.), Investigation into the phenomenology and the ontoogy of the work of art - What are artworks and how do we experience them?, 167–190. More seeing-in: Surface seeing, design seeing, and meaning seeing in pictures. Phenomenology and the Cognitive Sciences. Feeling, meaning, and intentionality - A critique of the neuroaesthetics of beauty. The grammar of aesthetic intuition: On Ernst Cassirer’s concept of symbolic form in the visual arts. Towards a cognitive semiotics of the visual artwork - Elements of a grammar of aesthetic intuition. Retrieved from tracking/ Search in Google Scholarīundgaard, P. More than just eye candy: Top ten misconceptions about eye tracking. Recognition-by-components: A theory of human image understanding. Berkeley: University of California Press. L’Annonciation italienne: Une histoire de perspective. ![]() D’Zmura (eds.), Geometric representations of perceptual phenomena: Articles in honor of tarow indow’s 70th birthday, 95–112. Non-genericity can therefore be considered as one among other pictorial techniques artists dispose of to construct perceptual meaning in vision.Īlbert, M. We then present an experiment we have designed to test the effect of such a relation on the visual brain, and we give evidence to the effect that non-generic configurations in pictures do attract attention significantly more than their generic counterparts. In the paper, we first introduce the notion of non-genericity, in general, and its use in visual art in particular, where it is claimed to affect the visual brain as an attention grabber. The structures we investigate are the so-called non-generic configurations that obtain between objects seen from a unique vantage point. We have addressed meaning in terms of attention-grabbing perceptual structure, doing so in the strong sense of structure i.e., structure understood as a pure spatial relation between shapes, independently of what objects these shapes represent. The present work is an attempt to bring meaning to the fore of not only empirical aesthetics but also experimental aesthetics.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |